Tracey Lindsay

Hailing from Derry, Tracey trained at The University of Wales, Aberystwyth receiving a BA Honours in Drama and Scenography.

Recent design credits include, Set Design Rapunzel (Martin Lynch & GBL Productions); Set and Costume Design The Headless Soldier (The Belfast Ensemble); Set Design Rhino (Tinderbox Theatre Company); Set Design The Hen Do (Martin Lynch & GBL Productions).

Other design credits include, Set Design Hume-Beyond Belief- The Life and Mission of John and Pat Hume (Playhouse, Derry); Set and Costume Design Silent Trade (Kabosh Theatre Company); Set Design The Trumpet & The King (Terra Nova Productions); Set and Costume Design Big Man (Lyric Theatre); Set and Costume Design Bridesmaids of Northern Ireland (Martin Lynch & GBL Productions); Set Design Birds Of Passage In The Half Light (Tinderbox Theatre Company); Set and Costume Design Iron Annie (Luke Cassidy); Costume Design X’ntigone (Prime Cut Productions and The MAC, Belfast); Set and Costume Design In The Name Of The Son -The Gerry Conlon Story (Green Shoot Productions); Costume Design and Associate Set Design Distortion (MAC, Belfast); Set and Costume Design The Shedding Of Skin (Kabosh Theatre Company); Set and Costume Design Billy Boy (EastSide Arts); Design Associate Abomination: A DUP Opera (The Belfast Ensemble and Outburst Arts) Winner of ‘Best Operatic Production’ at The Irish Times Irish Theatre Awards.

Tracey was Associate Designer for Prime Cut Productions. Credits including The Border Game (Co-Production, Lyric Theatre) and Father, The Father (Co-Production, MAC Theatre)